![]() ![]() The Campbell of Breadalbane tartan is illustrated in the following: Thomas Smibert “The Clans of the Highlands of Scotland” 1850 plate No:8 D.W.Stewart Old and Rare Scottish Tartans.1893 D.C Stewart The Setts of the Scottish Tartans 1950 The thread count was displayed by: J. The modern shown here is the primary Breadalbane tartan. It features identical colors to Campbell tartan with the addition of yellow stripes. This tartan is based on the Clan Campbell Tartan. The colors of the Campbell of Breadalbane tartan are navy blue, green, black and yellow. The earliest the tartan was seen was 1810. Through them all you can come and explore questions of dress and identity and of religious and magical beliefs.īreadalbane Bling: Medieval Power Dressing In Glenlyon And Beyond closes on August 16, and runs Tuesday – Sunday, 10am until 5pm.The Campbell of Breadalbane tartan is traditionally worn by members of the Breadalbane or Glenorchy branches of Clan Campbell. This is joined by a second rock crystal charmstone, the Clach-na-Brachart or ‘Stone of the Standard’ after its reputed link with the raising of the Clan Donnachaidh standard at Bannockburn in 1314. ![]() The loans from National Museums Scotland comprise a group of finds excavated from the Holy Well at Inchadney (near Kenmore) reflecting votive practices down to the 20th century and also the charmstone that formerly belonged to the Campbells of Glenorchy – a rock crystal set within a silver frame decorated with coral and silver balls. ![]() They include fede and other rings, pilgrimage souvenirs, buckles, brooches, seal matrices, amulets and horse harness pendants. The Treasure Trove acquisitions represent a selection of found and excavated items from across Perthshire which broaden the contexts and themes around medieval dress accessories and how they expressed identity whether that was through an aping of higher status accessories or through calling on the same set of magic-infused beliefs that were prevalent across all levels of society. Outdoor enthusiasts have been praising The Breadalbane Explorer as the bus route restarts for its fourth year. The two brooches will be joined on display by a range of medieval artefacts acquired by Perth Museum through Scottish Treasure Trove, along with additional loans from National Museums Scotland and the Clan Donnachaidh Trust. It is made of gilt silver with cut glass settings (one of which is missing) and would have been owned by someone of considerable status. This was probably done so that the style more closely matched the new pin it had been given in a Pictish style, probably to replace its broken original pin. It subsequently came into the possession of someone with more Pictish tastes and so the brooch was modified from an annular or complete ring, brooch to a penannular, or incomplete ring, brooch. The Breadalbane brooch, for example, was probably made to suit Irish taste in the ninth century, either in Ireland or in the West of Scotland. It was bought by the British Museum.”īoth brooches have complex life stories in which they reveal aspects of medieval life in Scotland, entwining questions of identity, power and the fusion of magical practices with Christian beliefs. ![]() It passed from the 1st Marquis of Breadalbane (who died in 1834) to various family members until reaching his great grandson, Thomas George Breadalbane Morgan-Grenville who put it up for auction as part of the Breadalbane Collection in 1917. “The Breadalbane brooch was also a treasured family item but although we can be certain from its name that it was found in Breadalbane (the greater part of which is in NW Perthshire) we have no record of where and when. Neither of these brooches has been seen in Perthshire since the late 19th century and they have never been on public display here at all.Ī spokesperson for the Museum said: “The Glenlyon brooch was a treasured family heirloom of the Campbells of Glenlyon, who probably commissioned its manufacture, but when the family line died out in the 19th century it passed to a dissolute line that ended in bankruptcy and so it was bought at auction by the British Museum in 1897. The 16th century Glenlyon brooch and the ninth century Breadalbane brooch are on loan from the British Museum, and the event is being supported through the generosity of the Dorset Foundation. Two exquisite medieval brooches will form the centre-piece of the Breadalbane Bling exhibition which opened at Perth Museum and Art Gallery this week. ![]()
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